Becky Hill
2024
Believe Me Now? Arena Tour
Becky Hill's debut headline arena tour across the UK and Ireland. A visual world built to hold arena scale while staying responsive to the music, moment to moment.
Project Details
Becky Hill's debut headline arena tour brought her catalogue to large-scale stages across the UK and Ireland. I shaped and delivered the visual content for the opening sequence and four tracks, True Colours, Last Time, Crazy What Love Can Do and Swim, defining how motion, texture and pacing carried each moment of the performance.
The direction worked on contrast. The high-energy tracks needed bold, driving motion; the intimate moments needed restraint and atmosphere. Each section had to feel distinct while still belonging to one set.
At final production I spent a week onsite during rehearsals at Backstage Centre, refining content against the live show. Creative direction was led by Aries Moross of Studio Moross, and production and lighting design by Matt Pitman and Tom Snell of Pixelmappers. I adjusted and evolved my sequences to respond to staging, lighting and camera choreography, so they worked as integrated parts of the live environment rather than pre-produced assets played back.
The tour ran across UK and Ireland arenas through 2024, closing at OVO Arena Wembley in London.
Catagory
Live Events
Type
Arena Tour Live Visuals
Vision
The aim was visuals that behaved like part of the staging, not a backdrop playing behind it. Built to scale to an arena, then tuned on site to move with the lighting, the cameras and the room, so the screen content and the live show read as one thing.
Each track had its own world. The opening classical architecture of marble columns that fills with cloud; True Colours broke it open with a lightning storm; Crazy What Love Can Do ran hot with red floral veins; Last Time returned to the classical world, and Swims cool blue beams of light reflecting on water. Distinct atmospheres, held together by a shared sense of scale and elements.
process
Credits
