Jason Ross's Atlas tour needed a distinct visual language for key sections of the show. Working with Comix, I developed and delivered a modular content pack designed for dynamic programming, built to be triggered and reconfigured live across the show environment rather than run as a fixed film.

The brief was for something volatile. The visuals leaned into distortion and rupture: shards splitting and reassembling, light fracturing across surfaces, forms breaking under pressure. Motion was driven by tension rather than fluidity, snapping between states and pushing toward overload in time with the music's more aggressive passages.